We often focus on plotting our stories – you know, everything that happens between our hero and heroine. The Inciting Incident. The Ds (Disappointments) or obstacles, that force them to face Ys in the Road and ask the question, “Which way do I go now?” over and over again. The Black Moment. And the long-awaited Happily-Ever-After, where our hero and heroine ride off into the sunset . . . Sorry. I lapsed into a cliché there, didn’t I? It’s vital to plot a strong main story, but while you’re doing that, remember to deepen your story too. How? Weave in an intriguing Layer or Subplot What: A story Layer and a Subplot are two different elements: A Layer adds depth to the plot and enhances the character’s struggle – and […]
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Conversations: Understanding Turning Points
“I’m so sorry,” Sally said, sitting down and unwrapping her scarf from her neck. Outside, ice glazed the puddles, the sky a slate gray. The first hint of snow hung in the air, the world of northern Minnesota in crisp expectation. It was a perfect day to teach Sally about how to understand Turning Points in a novel. I love the change of seasons. I blew on my candy cane mint mocha. “Why?” “Our high school football season is over,” she said. “I know how you love to go to the games.” I do. I live for the Friday night lights. “It was a tough game. A number of game-changing turning points that could have turned the game our way. Our boys fought a tough fight.” “I heard that on […]
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Storytelling vs. Backstory
We’re continuing to blog questions from blog readers and MBT Voices. If you have a question, be sure to email me at Rachel@mybooktherapy.com. So, here’s today’s question. Q: How do I add “storytelling elements” to my novel without dumping backstory? A: The balance between back story and the action on the page is tricky but not hard. Let’s look at a few definitions before we outline some guidelines for weaving back story into a scene. Story telling elements are just those fragments of a characters life, history, wants, goals and desires that are necessary for filling out or understanding a scene. The trick is to deliver just enough emotion and history to intrigue the reader while filling them in on what’s going on. For example, if Sally is not excited […]
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TEE’s What and Why: The Ds
Ah, the fun of writing a novel. You, the writer, get to wreak havoc on your characters – all the while ignoring any and all havoc in your life. (At least for a little while. You must return to reality at some point.) Wreaking havoc – that’s just another term for “the Ds”: the events that distance your hero or heroine from their goals. Let me be more specific: What: The Ds Think Distancing, Denial, Disappointments and Devastation. Yes, there are Dreams and Delights too – even a dream-come-true, like your heroine getting offered that job she’s always wanted – can wreak havoc in her life. Ds distance a character from what they want, deny them something – a relationship, maybe – and create a Y in the road, forcing […]
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