Okay, raise your hand out there if you watch ER or Grey’s Anatomy. It’s okay, no one can see you. And, not like I’m raising MY hand or anything, but hypothetically, let’s just say that if you are familiar with these particular medical (and I’m using that term a bit freely) dramas, then you know that they are really big long soap operas. Greys is, essentially, the on again, off again, hopefully on again (not that I would know) romance of Dr. Derrick McDreamy and Dr. Meredith Grey. Inside all this romance are the daily (read: episodic) events of a hospital in Seattle. What makes Grey’s kinda cute are the running monologues of the lead heroine, the thematic nuances she puts into the story, usually centered around the events of […]
Read the RestArchive | Creating Story Layers and Subplots RSS feed for this section
Layers verses Subplots – the truth exposed
One of my favorite teeny-bop movies is Chasing Liberty. Aside from the theme of the story – trying to keep a teenage girl (incidentally the president’s daughter) from misbehaving (if you know what I mean), it’s a cute story about the dilemma of a secret service agent to not fall in love with his assignment. Embedded in this tale is another tale – the romance of two secret service agents tracking above mentioned duo. Their story is what makes this movie such a delight – their banter, their eventual romance, their happy ending. It’s this extra story in a story that that gives the movie the extra sparkle that takes it from teeny-bop to good-enough-for-grownups. In short, the Subplot makes the movie. This week we’re going to talk about Subplots […]
Read the Rest


