Tag Archives | high concept

Rachel Hauck

Solving the Problem of a Paralyzing Premise

I was thrilled my publisher wanted a third book from me – and just a bit proud that the pitch I’d worked so hard on had done just what I’d hoped it would do: grabbed my editors’ attention – and landed me another book contract.

But what’s that Proverb about stumbling over pride? Yep, I fell flat on my face a few months later. That oh-so intriguing one sentence pitch had me in a headlock and refused to give up and say “Uncle,” so that I could wrestle it into a synopsis, much less a real story.

Beyond that single sentence I had a whole lot of nothing.

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Let Your Characters Tell the Story

A few years ago Susie and I were writing books with very high concept premises. Or is it premii? She was writing RITA finalist My Foolish Heart. I was writing Dining with Joy. The former was about a radio host for the lovelorn who’d never been on a date. The latter about a cooking show host who couldn’t cook. Great ideas. Great pitch lines. Easy to see and understand. But when we were writing, the premise itself became paralyzing. We dubbed those books the ones with the paralyzing premise. High concept is great. Almost necessary in today’s publishing world. But writing them can be a challenge because you’ll always wonder, “Am I capturing the premise well?” In Dining with Joy, not only did I have to explain how and why […]

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