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Susie May on Deep POV!

Are you getting ready to write NaNoWriMo and wondering just what POV or voice to write it in? Try Deep POV! I love how Deep POV gets a reader into the skin of the characters and helps them feel the story.

Here’s how it works:

Have you ever watched the television show Fear Factor? It’s a show where people are challenged to do “scary” things like eat a live spider or bungee jump, for charity. It’s supposed to elicit people’s deepest fears and make them overcome them. I watch it and think, “Never. Not even for charity.” However, do I feel my throat closing, that panic clenching my gut, my legs telling me to run? No. I just think – wow, they are idiots.

Consider, however, Alfred Hitchcock’s Psycho. We watch with our hands over our eyes, our heart in our throats, experiencing true fear.

This is the difference between Standard 3rd person POV and Deep 3rd person POV. One watches from a distance, the other engages us in the fear.

Why write Deep POV?

A great book is made up of the emotional highs and lows of the POV characters. We want to feel what the character feels, ride their journey with them and possibly learn with them. A great story makes us ache with the character, and eventually, engage with their choices, their struggles with values and their epiphany. Think about this – what is going to glue your reader to the page more – grappling with the black moment/life-changing decisions with the character, or to view it from a distance? Deep POV is illuminating, empowering, it helps us understand the point of the story.

Think of the difference between Deep POV and Standard Third Person as the difference between watching the action from the outside, as if walking beside the character (Fear Factor) and being inside the body and mind of the character. (Psycho)

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The What and Why of Writing: Villains

So often when we think of a novel’s main characters, we zero in on the hero and heroine. That is all well and good, after all, what is a romance without a hero and heroine?  And every story, no matter what genre, needs a protagonist – a good guy or gal, someone the reader is rooting for. But in your zeal to craft a compelling hero and/or heroine, don’t forget to ask yourself: Who is the villain of this story? What: A villain is the antagonist of your story. When you think villain, don’t just think danger, think threat. Or opposition.   A villain can be a person. Hans Gruber, the lead terrorist in Die Hard, goes down in my book as the archetype villain.   A twist on the […]

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Craft: The Golden Rule of Fiction

Still in a traveling frenzy… off to see my Grandma for her 99th birthday… so I asked author and writing coach Randy Ingermanson if I could share a post from his Advance Writing E-Zine. He said Yes and offers us a good take on characterization. Here’s Randy: About twenty years ago, I was accepted into a small mentoring group led by Sol Stein, a famous novelist, playwright, publisher, and writing teacher. It was a great group and I enjoyed hanging out with so many talented novelists. Sol had a recent book out, THE BEST REVENGE, and most of us in the group bought a copy. Sol, knowing that I’m a physicist, autographed mine as follows: “Physics = facts; Fiction = truth” I’ve often thought of that over the years. A […]

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The What and Why of Writing: Noble Cause

Every story starts with an Inciting Incident catapulting the hero and heroine into a journey. They’re either scrambling to get their lives back to normal or hoping to settle into their new life after some amazing “I never knew this could happen to me” experience. Each scene you write is either an Action or re-Action scene. Your characters are doing something or responding to what happened. But the challenge is to write more than just he-said-she-said or he-did-she-did scenes. You want to layer in emotional depth – and one way to do that is to know your character’s Noble Cause. What: The Noble Cause answers the question why? It’s the motivation that moves your character from chapter 1 to “The End.” Think of your protagonist saying something like this: BeCAUSE […]

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