Are you creating a new character and trying to figure out how to make him/her different from every other character you’ve created? Try this – Instead of picking out a name from thin air and then attaching a bunch of characteristics to your paper doll, start from the inside-out. Start with finding their core identity. Identity is not about what career you have – skydiver, wilderness EMT, policeman, lawyer, photographer, chef, teacher – but rather the person on the inside that has driven you to this destiny. A core identity starts with an adjective and ends with a proper noun. “My character is a [insert proper noun here].” Here’s how: Let’s take a firefighter, for example. We might automatically assume he’s a protector, or courageous. But let’s take a look […]
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The Construction of Chapter 8 – Kenzie’s scene. Don’t Rush the Drama!
One of the struggles I see with many writers – and even myself – is the rush to the climatic parts of the story. They see the drama of the big pieces and want to get there immediately to wow the reader. However, the problem is when we don’t give the drama resonance – when we don’t show the progression of emotions leading up to it, and the significance of the drama, we miss out on the punch. I always advise clients to take their time, to feel the nuances of the scene and allow the reader to, also. However, sometimes it can feel like eating an elephant. You have so far to go, and today you’reworking on a toenail. (okay, yuck. Maybe I should find another analogy). What […]
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