“You look upset,” Sally said as she sat down on the deck. She wore a white shirt, her hair pulled back in a sixties’ style headband and a sleek summer tan. I sighed, stirring my frappucino. “I just had a difficult conversation with my son about his driving skills.” “Did you argue?” “No. And that’s the problem. He said everything right. It’s what he didn’t say that bothered me.” She frowned. “We were driving into town. He was riding beside me, his elbow out the window, when I broached the topic. I mentioned that we’d seen him driving in town recently a little too recklessly, and if he wanted to drive our cars he’d have to slow down.” “And?” “He said, ‘Sure, Mom. Whatever.’” “That doesn’t sound–” “He was scrolling […]
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Conversations: Subtexting and the flow of Dialogue
“My husband is driving me crazy.” Sally sat down on the Adirondack chair facing the morning sun, lifted her face to it, closed her eyes. “I just want to sit here and not talk.” I raised an eyebrow. “Did you have a nice visit to your mother-in-law’s house this weekend?” She opened an eye. “My husband and I rode home in two-and-a-half hours of stone silence.” “Ah,” I said. “Silence that speaks a thousand words. A form of dialogue in itself, which is what I wanted to talk to you about today.” “How is silence a form of dialogue?” “I’m certain you communicated, even if you didn’t use words, right?” She made a face. I laughed. “Great dialogue raises conflict and contains subtexting about the deeper issues of the story.” […]
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Using Dialog and Prose to Create the Setting
Last night I sat in a small circle of writers disguising themselves as readers. As we discussed the book of the month, one of the reader-writers said, “The dialog and language really drew me in. It was part of the setting, really.” That hooked me right there. Not to read the book because, well, I wrote the book, but as a blog topic! Using Dialog and Prose to Create the Setting. I never thought of it before but word choice, dialog, the arrangement of words can really help put the reader in the mind set of the PLACE the story is being told. The era. The region. The social class. Education. Even values and belief systems. We’ve all heard word choice is key to the author’s voice. We’ve also learned […]
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“PUT CHARACTERS IN OPPOSITE SITUATIONS.”
Continuing from my post last week on fast notes on characterization during a Donald Maass session. These are an eclectic gathering designed to make you think differently. Have fun! “These are the moments the characters become larger than his or her own life. Break out of box, out of character, do the unexpected. The are the moments we remember.” “A “wink” can be the most unexpected thing a character can do.” But it must be out of character. “Take your characters to places they would never go.” Eventually they have to become who they really are – reverse or repent of what they’ve done. Stop thinking about redeeming our characters. Can’t always be thinking of redeeming them. Redeem them from what? Take your characters to the bad/dark/confused place, wrong place, […]
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