Rachel Hauck

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Rachel Hauck, Princess Ever After, royals, royalty

The Importance of the Story Hook

A writer I’m mentoring sent me an email from an agent who read her piece as a result of a contest.

She loved the author’s writing and story telling but her story lacked a unique hook.

“What makes your story of a sports playing hero different from all the other sports playing heroes out there?”

The agent mentioned several ABA authors who wrote sports books similar to my friend’s. She also reminded the author that an agent or editor will see dozens of books “mimicking” those sports hero books so a book really has to stand out. It must have a different hook.

This hook is used in marketing, getting the book past the booksellers and onto the shelves. It’s used with the media to get the book some publicity.

The HOOK is what makes your every-day-story unique.

Okay, so let’s say you’re writing about a football player. What can you do to make him different?

After the NFL draft where the first openly gay player was drafted, the secular market will have books with that hook releases — if they haven’t already.

It’s not a topic readily accepted in the CBA, so you might not want to be so controversial.

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Rachel Hauck, Princess Ever After

The “I’s” Don’t Have It!

Sit down. I want to talk about writing in First Person.

How many of you are writing in first? Yeah, I love First Person, too.

I long to write in First again. But the structure and texture of my stories, and the fact I’ve chosen to write in the romance genre (and I’ve already broken a few rules there) doesn’t lend to First Person these days.

I started out writing Third, then went to chick lit where first was part of the genre voice, and I “found” my-writer-self.

I think keeping diaries for 17 years helped me tap a deeper emotional layer when I hit the First Person trails.

Early on, I stumbled upon a truth while writing in First. Use dialog!

I’m not a great prose, expository type of writer, so I automatically go to “people talking.” Even in my diaries, I wrote dialog.

It’s the drama part of me. When I was a kid I’d walk around having pretend conversations with people. Mainly Donny Osmond but that’s for another post.

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Rachel Hauck

The Heart of the Matter: Finding Your Character’s True Desire

As wonderful as craft books are, a lot of times, our best teacher is life and our keen observance of it.

I read a book awhile ago called Live a Praying Life by Jennifer Kennedy Dean. I wasn’t reading it to improve my writing. I was reading it to better understand God’s design for prayer.

But as writers, we usually have that third eye (or ear) open and observant and aware. Ready to soak up some juicy insight. Some truth, some reflection of the human condition that we can apply to our characters and our stories.

So when I came upon this, I immediately switched into writing mode:

Jennifer writes, “Usually, what we call ‘the desire of my heart’ is really a secondary desire orbiting around the true desire. Usually, what we think we desire is really the way we have imagined the true desire will be met.”

She goes on to say, “We think we are asking for the desire of our hearts, but we are really asking for the desire of the moment. Often, in order to give you the desire of your heart, God will withhold the desire of the moment. He only says no as a prelude to a higher yes.”

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Rachel Hauck, Princess Ever After

Putting Up Road Blocks — Story Road Blocks That Is!

Monday Susie blogged on 7 Twists and Turns to add to your novel!

I thought I’d piggy back on her post and add some detail to one of her fantastic tips.

Let’s look at her 7th twist: Chose the Worst Case Scenario.

Susie writes: After every scene, Ask: What is the worst thing that could happen to my character right now? Then, follow up with – can I make that happen (or something similar to it?) When you sit down to consider all your options – and then choose one that is reasonable yet unexpected, you add in the element of unpredictability in your novel. And readers love it when they say, “Oh, I did NOT see that coming!”

Maybe I’m alone in this but whenever I think of raising the stakes or putting up obstacles (road blocks) or choosing the worst case scenario, I think of things like buildings blowing up, terrorist attacks, life threatening diseases, death, mayhem, destruction! (All State anyone?)

Well, I know I’m not alone. I can tell by some of the stories I read or contest entries. Random, bizarre, something-not-even-related-to-the-story happens.

Here’s the deal, if you’ve worked on your character journey/story arc and you know the probable epiphany of your hero, then all of the road blocks must fit within that story line.

Just shutting the door in someone’s face can be a sufficient and effective story block. Or as Susie calls it “worst case scenario.”

I’m working on rewrites for How To Catch A Prince.

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