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Crazy Reindeer Specials from My Book Therapy!

Santa’s Reindeer have taken over My Book Therapy!
It finally happened.
The Reindeer have had it with Santa getting all the glory. We all knew the inevitability of the revolt after Dasher demanded his own Sugar Cookie break over Finland. And then Vixen said she absolutely, “wouldn’t fly over Prague without a mint-hot cocoa.”
The source of their discontent? Santa’s sack of goodies.

“We’re the ones pulling the sleigh. Why does he get to distribute all the gifts?” Prancer said on the eve of the takeover.

The Reindeer assumed control of the MBT Warehouse during Thanksgiving, sneaking in under cover of night, cloaked as Moose. (“After all, people confuse us all the time,” Comet said in an cell-phone conversation from inside the MBT HQ)

And now, they’re offering MBT Bundles of Reindeer Specials at CRAZY prices.

And giving away FREE STUFF!

With these kinds of deals, it’s clear the Reindeer have lost their minds!

But, until MBT re-assumes control of inventory, it’s your chance to take advantage of these Crazy Reindeer Specials for Writers.

The culprits and their bundle offers are listed below…

(and Visit the MBT Marketplace to catch all their latest craziness!)

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Write a novel in a month

Keep on writing, keep on writing

I wrote a novella last week. 31, 160 words. That’s over 5K a day. Now, here’s what we all have to keep in mind – many of these words will have to be rewritten or deleted. I will have to go scene by scene and make sure I’ve inserted storyworld, and the 5 Ws to anchor the scene. I’ll have to ask what the main emotion of the scene is, and how to strengthen it. I’ll have to tighten my writing, make it clearer, make sure I’m not overwriting.

I’ll have to make sure I am telling the story between the quotes, and that I am wrapping up my dialogue with the right meaningful action and body language, adding zingers.

And, I’ll have to make sure I all the ingredients of the Scene Tension Equation.

All these things are in my brain as I’m writing, trust me. But, if I want to forget ahead and give myself something to work with, then I have to be like Dori in Finding Nemo.

Don’t look back. Forget everything but my goal….reaching the end. (or, P Sherman, 42 Wallaby Way)

But how do we keep that focus? I know it can be hard, because even in the middle of a scene you suddenly think: WAIT! I just came up with something BRILLIANT and I need to add it into chapter 3!

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Rachel Hauck

What Comes After “Once Upon A Time?”

Well, here it is the middle of November and you’ve been pounding away on your NaNoWriMo novel.

Sometimes, it feels like this picture. Once upon a time…

And you’re out of room.

Out of juice

Out of creativity.

NaNo is supposed to be a grind-it-out month.

No stopping to plan or rework your story or edit.

Just write.

So what do you do if you’re just stuck?

Here are a few tips:

1. Remember what the story is about? What the protagonist want? Have you shown this enough? Have you caused them to move farther and farther from their goal?

2. Write a scene out of sequence. The other day I came home and wrote a scene for the first of the book rather than the beginning of the middle where I’d written to at that point. The scene came to me and I knew it was one I needed so I wrote it.

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Show, Don’t Tell

I hope you’re busy writing your amazing works of NaNoWriMo fiction!

I thought, as we dive in, it might help to understand what editors mean by “Show, Don’t Tell.” Listen, I know it can be confusing. Especially since there is not only mis-information and bad teaching out there, but also because there IS a time Tell!

Showing, not Telling is not about describing everything that happens. And Telling has nothing to do with narrative and backstory. Narrative and backstory (and even action) get a bad rap because often, during narrative, backstory and action, authors drop into “telling” without realizing it. Describing ACTION by saying “John shot Bill.” is not telling. It’s action. But adding: “John felt sorry when he shot Bill,” would be telling.

See, I know. Confusing.

Here’s the bottom line: Showing is about helping the reader experience the emotions of the character. Showing brings us into the mind and heart of the character to understand their emotional journey.

Here’s how: If you say, ‘She felt grief,’ or even, and this is more common, ‘Grief overtook her’ you are not just telling us what emotion she’s feeling, but you’re pinpointing one emotion your reader must feel with the character. Instead, show us how despair makes her feel through how she acts, what she thinks, what she says and how she sees her world. Let us into your character’s head.

Telling is when you tell someone how to feel. It relates to the emotion to the story, not the narrative, backstory and action.

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