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When Is It Time To Have A Craft Partner Review Your Manuscript?

I’m so thankful for friends like Beth Vogt and Edie Melson who took the time to answer my “newbie writer” questions on craft/critique partners.

Here’s the first question for this segment.

(AAT) Now we’ve got this fast draft and we have a craft partner. We have an established relationship with a craft partner. When is a good time for someone to look at your work-in-progress?

(BKV) When I fast draft I usually like to set it aside for a couple of weeks. I’m usually worn out and it’s good to give distance for a couple of weeks. Then when I get together with my craft partner, I usually let them know what I’m looking for.

As far as I’m concerned there’s two ways to critique a book.

You can be looking for big picture edits. You just want to know; Is this scene working or are you feeling the emotions? Or you can be looking at fine-line edits, where you are really trying to polish a scene. You have to let your critique partner know what you are looking for. There have been times where I’ve gone into a critique group and said, “Your welcome to read this scene. I want you to know I’ve had a rough week, and I really don’t want feedback from you all.” I have been that honest with them, because I couldn’t even handle them telling me a word was misspelled. It was just that bad of a week. I think that in a really good critique group you can be that honest with them. They’ve gone ahead and read it and said, “Loved every word of it Beth.” They just left me alone for that week.

(EM) I like to be able to brainstorm before I start a book and get things laid out. I generally have an idea and it sparks my creativity to do that. When I’m in a midst of a first draft, its not a time I want craft partners chiming in. I have to have a big picture of the whole book before I start listening to other people’s suggestion, even good suggestions. I need to get my arms around it first. I do what Beth does and let it sit for a couple of weeks before I go back in. Yes, there have been times where I’ve said. “Look guys, if you can’t say something nice don’t anything at all.

(AAT) Do you think you should have two partners, one person to help brainstorm your plot and someone else to help with critiquing? What does your process look like?

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What is an Extreme Book Makeover?

I remember the first time I got feedback on a story I’d written.

“Overwriting.” “Flat characters.” “Unbelievable plot.” “Doesn’t draw me in.”

I stared at the rejection letter, baffled. (While wiping my tears). I hadn’t a clue how to decipher the words on the page – let alone fix my story.

But, if I wanted to be published, I had to figure it out. So, I “unpacked the criticism” as my friend literary agent Chip MacGregor would say and learned how to give my writing – and my books – an extreme book makeover.

I love Extreme Home Makeover. I know it’s off the air now, but I used to be glued to it, curious how these professionals would tear down and rebuild a home to suit a family’s needs. They assessed each problem, got a vision for the project and worked in their skill area to create an Aha! Effect.

This is the task facing every aspiring (and published!) author. We must learn to step back from our stories, look at them with a critical eye, figure out what a good manuscript looks like, and then use our unique voice to make that happen.

But how does an author look at their book objectively and give it a makeover?

This year on the Monday MBT blog, we’ll be covering the 5-Step process of an Extreme Book Makeover.

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The book I wish I had ten years ago.

Every once in a while you find a book that you wish you had ten years ago.

This is that book.

When I first met Sharon Jenkins, via a talk show/interview, I knew she was special. Energy and enthusiasm for writers simply bubbled out of her, and I immediately saw her heart to help aspiring writers create profitable businesses.

So, when she mentioned her book, Authorpreneurship: Build a successful business as an Author, I knew it was something we wanted for our MBT Marketplace as a resource for our amazing writers.

She worked long and hard to get it to our MBT specifications – something that could serve traditionally published as well as self-published novelists and non-fiction authors.

This is the book I wish I had when I started my writing journey, and I’m proud to announce the launch of this amazing resource!

Watch my fun interview with Sharon!

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What Happens When You Receive A Critique You Don’t Like?

Merry Christmas!

I don’t know if you’ve had time to work on your bestseller during this busy season, but I’m back with my two favorite editors with tips on navigating the sometime murky waters of critique/craft partners.

(AAT) What do you do when you receive a critique and it’s not what you want to see, read or hear?

(EM) Well, as far as you putting your feelings aside and your no longer sensitive? Twenty-three years into this and that has not happened yet. I’m still sensitive when it comes to my writing, no matter how hard I try. Anytime I receive suggestions, it has a sharp edge to it. Even though it’s not true, in my own mind, it feels like I’ve failed. One thing I‘ve learned for me, is I need to process. I’ve learned to tell my critique partners, I accept that, I think that’s a valuable comment. I’m going to have to go home and play with it and see how I feel about it. I can’t just immediately jump up and down and say “Oh goodie, you’ve made it better.” I have to say “thank you for the work you’ve done” and I have to go home and process. That’s the way it works for me personally because it always feels like I’ve failed.

(AAT) Beth, what about you?

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