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When an Author’s Backstory Sparks a Story Idea

By on September 18, 2014 in 1. Discover your story, Beth Vogt, Brainstorming Strategies and Tips, How do I get started?

At the very first My Book Therapy (MBT) Storycrafters Retreat in 2010, Susie May Warren had the attendees complete a seemingly simple – and insignificant – exercise on page nine of our workbooks.

I kept that workbook, the one with the working title of my manuscript scribbled inside the front cover: Wish You Were Here. Thanks to that weekend and how it changed my life and my writing, Wish You Were Here became a “real book” in 2012.

And I refer back to that seemingly insignificant exercise on page nine time and time again.

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Listen to me! Or: The non-list-making, non-threatening, let’s-have-a-cup-of-coffee-and-chat method of creating living breathing characters.

By on July 21, 2014 in 1. Discover your story, a. Character Creation, Editing Basics, Susan May Warren

Christian books should reach beyond our hearts to touch our souls. Regardless of the genre — suspense, romance, historical, or chick lit — stories can touch our lives, even change us. And, while plot lines are important…it is characters that drive stories. When we think of the Hunt for Red October, we think of Jack Ryan. When we think of the Fugitive, we think of Dr. Richard Kimball. Characters drive the plot. So, how do we create characters that live and breathe and drive a story into our hearts?

Throw away the list!

When I began writing, I did what seemed logical – I filled out character lists. Answered hundreds of questions. But my characters still felt flat, and more than that, their actions, dialogue and conflict didn’t seem to connect. At the time, I was home schooling, and as I looked at developing my children’s self-esteem, it hit me. People reveal themselves from the inside out, based on how they see themselves, or want others to see them. And discovering how a character defines himself is the key to making them come alive.

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When It is Time to Rewrite: 4 Steps to Improve Your Manuscript

By on July 3, 2014 in Beth Vogt, From the Inside...Out, Rewriting

My fourth novel, Crazy Little Thing Called Love, is due to my editor on August 1. Yes, I am aware that is a mere 29 days away. No, I am not counting hours or minutes — yet.

With my fast draft in hand … well, spread all over my desk and sometimes all over the coffee table in the family room … I am ready for rewrites.

Yes, yes, I am.

First things first: there are certain things I don’t do when I am this close to deadline and deep into rewriting.

I do not clean my house.
I do not cook.
Hmmm. Reality is, I don’t clean my house or cook that much when I’m off deadline. I’m just being honest here. When I’m off deadline, I’m plotting a new novel or I’m dealing with second round edits or galleys . . . or something! I’m thankful my husband loves me.

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Saggy Scene Solutions: Use Goals versus Obstacles to create tension!

By on July 1, 2014 in 7. Search by Author:, b. Building a Scene, How do I write Tension?, Susan May Warren, writing tension

I’ve been on the phone a lot this summer, helping my clients brainstorm scenes. One of the biggest issues I see in ACT 2 is the struggle to set up a scene correctly and create reasonable tension to drive a reader through the scene.

Last week we talked about how to set up a scene. Today, we’re going to talk about how to use the combination of Goals against External and Internal Obstacles to create tension.

In Act 2, it’s essential that each scene have tension. Many people confuse tension with obstacles. Obstacles do not cause tension unless they stand in the way of something someone WANTS for a Very Good Reason.

My son just got back from football camp, so we have football fever around here. Which means it’s time for a football metaphor. The push FORWARD of the offense is the WANT (motivation) and GOAL (a first down!) of the character.

The Defensive line is/are the obstacles that push BACK against the character. You must have both to create tension.

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