Yesterday, I addressed Scene Flow, and how in a romance scene, you might decide to develop it a bit more, making it longer. In a suspense, sometimes it’s nice to develop that before you jumpstart the action again. Today, we’re going to jump back into the suspense, drawing that element forward. Just to make sure I’m on the right track, I want to go back to my synopsis. It’s still my roadmap, even though I’ve been taking a few day trips… Luke wants his sister, who is a giant MacKenzie Grace fan to meet her, and the dinner out at the roadhouse seemed to go without a hitch…maybe no one will recognize her. But what Luke doesn’t know is that someone has recognized Kenzie – the reporter from the […]
Read the RestArchive | Want to see a book in Action? Read the Blog-a-Book Series RSS feed for this section
Act 2: Jumping back into the suspense!
Act 2: Scene Flow..Suspense and Romance, what’s the difference?
Sceneflow: the difference between a suspense scene and a romance scene? If you read the last two weeks of posts and chapters about Limelight, you’ll notice that I took a bit more time in those chapters to develop the romance. (Read Chapter 5 & 6 Here Chapter 5 Luke Chapter 6 Kenzie) I could have split those chapters into shorter scenes/segments, but I wanted to really cement the romance between them before I launched more into the suspense. Note they were longer chapters– as the book starts to move faster, I’ll have shorter chapters, or perhaps two or three shorter scenes in a chapter. So, now that I’ve given them their first kiss, we’re about half-way through the story. (For the purposes of teaching, I’m keeping this novella at 12 chapters – […]
Read the RestAct 2: Let’s build the Romance!
In the last chapter I posted, I dipped into a developed, romantic scene with Luke. [Chapter 4 Makenzie scene.] I’m going to turn my attention to Kenzie. Although we’re focusing on suspense this year on the blog, this is a romantic suspense, so occasionally during the story I need to slow it down and allow the romance to take over ever so briefly. During these forays into the romance, I need to make sure I’m utilizing my opportunity, because I don’t have a lot of time – I’ll need to cut back to the suspense soon. Therefore, I’ll be looking toward building in some of those essential elements of a romance, building like values, physical attraction, and the sense that they either complete each other or make each other into better […]
Read the RestTen Common Author Mistakes. #9
Forgetting to weave in the story elements and symbolism. Definition: If you want to use a metaphor, like a world event or a family trait or tradition to show a contrast in the hero or heroine’s life, you must layer it in. If the heroine’s life if falling a part, coming down around her like 9-11, don’t tell the reader, “her life was just like the twin towers…coming down around her.” Weave it. The scene opens. It’s 9-11, the heroine is preparing breakfast. She calls her husband down to breakfast but he doesn’t show up. When she goes to see what’s taking him so long, she finds him collapsed on the bathroom floor, dead. As she’s calling 911, her best friend buzzes in. The twin towers […]
Read the RestAll-Time Popular Posts
- Sign up for FREE SECRETS from Book Therapy! by Susan May Warren
- Doctor's Notes: Creating Story World by Susan May Warren
- Prescriptions: Listen To Me! by Susan May Warren
- Picks: Straight Up by Lisa Samson by Rachel Hauck
- Ask the Doctor: How do I determine my character’s Noble Cause? by Susan May Warren