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Write a novel in a month

Keep on writing, keep on writing

By on November 18, 2013 in 1. Discover your story, 2. Create Your Story, 4. Writer’s Life, Inspiration and Life Coaching, 7. Search by Author:, Encourage Me!, House Calls, Susan May Warren, Writers Q &A

I wrote a novella last week. 31, 160 words. That’s over 5K a day. Now, here’s what we all have to keep in mind – many of these words will have to be rewritten or deleted. I will have to go scene by scene and make sure I’ve inserted storyworld, and the 5 Ws to anchor the scene. I’ll have to ask what the main emotion of the scene is, and how to strengthen it. I’ll have to tighten my writing, make it clearer, make sure I’m not overwriting.

I’ll have to make sure I am telling the story between the quotes, and that I am wrapping up my dialogue with the right meaningful action and body language, adding zingers.

And, I’ll have to make sure I all the ingredients of the Scene Tension Equation.

All these things are in my brain as I’m writing, trust me. But, if I want to forget ahead and give myself something to work with, then I have to be like Dori in Finding Nemo.

Don’t look back. Forget everything but my goal….reaching the end. (or, P Sherman, 42 Wallaby Way)

But how do we keep that focus? I know it can be hard, because even in the middle of a scene you suddenly think: WAIT! I just came up with something BRILLIANT and I need to add it into chapter 3!

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The What and Why of Writing: Black Moment

By on November 12, 2013 in The What and Why of Writing, What is the Black Moment and how do I create it?

As writers, we’re told to wreak havoc on our characters. When you write your hero’s or heroine’s Black Moment, you let the worst possible thing happen to them. Think Luke Skywalker’s “I am you father” moment with Darth Vader. This is where their emotional wound is gaping and the Lie they believe about themselves brings them to their knees.

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Show, Don’t Tell

By on November 4, 2013 in Author Mistakes, How to WordPaint, Susan May Warren

I hope you’re busy writing your amazing works of NaNoWriMo fiction!

I thought, as we dive in, it might help to understand what editors mean by “Show, Don’t Tell.” Listen, I know it can be confusing. Especially since there is not only mis-information and bad teaching out there, but also because there IS a time Tell!

Showing, not Telling is not about describing everything that happens. And Telling has nothing to do with narrative and backstory. Narrative and backstory (and even action) get a bad rap because often, during narrative, backstory and action, authors drop into “telling” without realizing it. Describing ACTION by saying “John shot Bill.” is not telling. It’s action. But adding: “John felt sorry when he shot Bill,” would be telling.

See, I know. Confusing.

Here’s the bottom line: Showing is about helping the reader experience the emotions of the character. Showing brings us into the mind and heart of the character to understand their emotional journey.

Here’s how: If you say, ‘She felt grief,’ or even, and this is more common, ‘Grief overtook her’ you are not just telling us what emotion she’s feeling, but you’re pinpointing one emotion your reader must feel with the character. Instead, show us how despair makes her feel through how she acts, what she thinks, what she says and how she sees her world. Let us into your character’s head.

Telling is when you tell someone how to feel. It relates to the emotion to the story, not the narrative, backstory and action.

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Susie May on Deep POV!

By on October 28, 2013 in b. Building a Scene, How do I write the Character Change Journey?, What POV do I write in?

Are you getting ready to write NaNoWriMo and wondering just what POV or voice to write it in? Try Deep POV! I love how Deep POV gets a reader into the skin of the characters and helps them feel the story.

Here’s how it works:

Have you ever watched the television show Fear Factor? It’s a show where people are challenged to do “scary” things like eat a live spider or bungee jump, for charity. It’s supposed to elicit people’s deepest fears and make them overcome them. I watch it and think, “Never. Not even for charity.” However, do I feel my throat closing, that panic clenching my gut, my legs telling me to run? No. I just think – wow, they are idiots.

Consider, however, Alfred Hitchcock’s Psycho. We watch with our hands over our eyes, our heart in our throats, experiencing true fear.

This is the difference between Standard 3rd person POV and Deep 3rd person POV. One watches from a distance, the other engages us in the fear.

Why write Deep POV?

A great book is made up of the emotional highs and lows of the POV characters. We want to feel what the character feels, ride their journey with them and possibly learn with them. A great story makes us ache with the character, and eventually, engage with their choices, their struggles with values and their epiphany. Think about this – what is going to glue your reader to the page more – grappling with the black moment/life-changing decisions with the character, or to view it from a distance? Deep POV is illuminating, empowering, it helps us understand the point of the story.

Think of the difference between Deep POV and Standard Third Person as the difference between watching the action from the outside, as if walking beside the character (Fear Factor) and being inside the body and mind of the character. (Psycho)

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