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Saggy Scene Solutions: Use Goals versus Obstacles to create tension!

By on July 1, 2014 in 7. Search by Author:, b. Building a Scene, How do I write Tension?, Susan May Warren, writing tension

I’ve been on the phone a lot this summer, helping my clients brainstorm scenes. One of the biggest issues I see in ACT 2 is the struggle to set up a scene correctly and create reasonable tension to drive a reader through the scene.

Last week we talked about how to set up a scene. Today, we’re going to talk about how to use the combination of Goals against External and Internal Obstacles to create tension.

In Act 2, it’s essential that each scene have tension. Many people confuse tension with obstacles. Obstacles do not cause tension unless they stand in the way of something someone WANTS for a Very Good Reason.

My son just got back from football camp, so we have football fever around here. Which means it’s time for a football metaphor. The push FORWARD of the offense is the WANT (motivation) and GOAL (a first down!) of the character.

The Defensive line is/are the obstacles that push BACK against the character. You must have both to create tension.

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Use FOCUS to craft vivid scenes

By on June 19, 2014 in b. Building a Scene, What is Storyworld, and how do I write it?

I went to my first My Book Therapy (MBT) retreat in 2009 – the first-ever Storycrafters Retreat. I’m four years further along the writing road, on deadline for my fourth novel, and I often review things I learned at back then. One of my favorite MBT techniques is FOCUS, an acronym that helps you craft vivid scene descriptions.
FOCUS stands for:

First Impressions

Observations

Close Up

Simile (or Metaphor)

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Extreme Book Makeover: 7 Key Ingredients to Creating Powerful Scene Tension

By on May 12, 2014 in 6. Search by Series:, b. Building a Scene, Editing Basics, Extreme Book Makeover, How do I write Tension?, Susan May Warren, writing tension

I watched the season finale of Once Upon a Time last night (*warning! Spoilers!*) and it was one of the best episodes in the series. Why? The tension! The plot was simple – the heroine, who’d finally found her happy ending with her family, accidentally fell back into time, and thwarted the epic, historical meeting of her parents. She pulled a “Back to the Future” and erased her future.

What does she want? To return home and live happily with her family. Her goal – make sure her parents met, somehow. Why? Because after a horrible childhood, she’s finally found a home. What’s at stake? Her life – and her son’s life.

And…standing in her way is the Evil Queen (as well as the lack of magic needed to open the time portal.)

Great set up for the episode – and even better, it makes for exactly the right ingredients to talk about how to create powerful tension in a story – and especially how to keep your Act 2 tension from saggy by creating tension in every scene.

Let’s start a definition of tension. Obstacles and Activity are not Tension. Tension is derived from a sympathetic character, who wants something, for a good reason, and who has something to lose, who then creates a specific, identifiable goal, only to run up against compelling, powerful obstacles, which then creates the realistic fear of failure.

In other words, the MBT Scene Tension Equation.

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Extreme Book Makeover: The Secret of turning your POV character into a HERO.

By on April 14, 2014 in 2. Create Your Story, 6. Search by Series:, Extreme Book Makeover, How do I write the Character Change Journey?, Susan May Warren

Does the ACT 2 of your novel feel saggy? Maybe you’ve run out of great ideas to liven the plot? In this episode of Extreme Book Makeover, we’re going to talk about ACTS of HEROISM to add some twists and turns to your story.

Acts of Heroism

Remember – the key to a great character is to develop his story (and all the story pieces) off the page, so he walks onto the page fully formed. (That includes your character’s Lie, Wound, the Greatest Fears and Dream, as well as the Stakes of the story)

Now, let’s employ the concept of ACTS of HEROISM. Acts of Heroism are those character-change actions that take your character from an everyday Joe to a hero.

It’s not the grand gestures, the great sacrifices . . . Acts of Heroism are the choices your character makes that push him beyond himself beyond his comfort zone and changes him.

These choices will not only make your reader love him just a little bit more – but also cause new problems for your hero.

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