As writers, we should never stop learning the craft. The more we write, the more we learn. I’m very fortunate to work with a brilliant editor who sees the art beneath all my mistakes and gently guides me in the right direction. Haven recently rewritten a book with my editors guidance, here are three things I’ve added to my arsenal. Dialog. Yes, of course, I’ve always used dialog. I consider it one of the most important factors of fiction writing, but dialog must count. In 2008, I honed the idea that dialog creates momentum, moves the story forward. Don’t slow it down with paragraphs of description or internal thought. Keep action tags and speaker attributes behind the dialog as much as possible. Of course, the “rule” can be bent, but […]
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Writing a A Not So High Action Scene
So yesterday, we went through a high action scene, working through the details that went beyond structure to words and cadence. “But, Susie, I don’t write a thriller!” you say. Not a problem. You can still write a riveting scene using the basic princicples I laid out yesterday…. First, we: Start with Setting and the Current State of Affairs Then we establish the Goals of the scene And we won’t forget to fortify the Motivations of your characters action/decisions Finally we can write the Action of the scene. And we’re going to pay special mind to the sentence structure and words we use to create mood. This excerpt is from Finding Stefanie – it’s a subplot character named Gideon who wakes up in Stefanie’s house after […]
Read the RestWriting (High Action) Scenes
So, the last few weeks we’ve been talking about Character change – bringing him through the various steps, until he’s finally on his knees, (black moment) realizes what he needs to sacrifice to change, (epiphany) accepts the truth, and then emerges a new man to test his resolve and fight his final battle. Awesome. Lot’s of great theory and structure there. Now, let’s get specific with scene building for a bit here. We’ve already covered Scenes and Sequels (go to the articles section to read more) as well as action objectives. We’ve also talked about sizzling dialogue, paring your backstory to a minimum, and using strong sensory words to create mood. So let’s talk about how you put those elements together. It’s about beat, and drawing the reader […]
Read the RestTension Toolbox
I meant to post yesterday, Friday, but the day got away from me. Sorry, team. This is our final post on tension for now. No promises about the future. What mechanical ways can we show tension in our writing? Word choice. Short sentences. Entering the scene late, exiting early. Let’s try a scene: The wind blowing over the prairie was hot and dry as Mikaila urge her horse forward, scraping her fingers through her long blonde hair. Her cornflower blue eyes caught sight of a billowing cloud of dust rising from the horizon line, a mushroom from the earth, she thought. Wonder who it might be? She let her mind drift toward Cole who waited for her back at the ranch. They’d fought, about nothing. But she speed away on […]
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