Yesterday, I addressed Scene Flow, and how in a romance scene, you might decide to develop it a bit more, making it longer. In a suspense, sometimes it’s nice to develop that before you jumpstart the action again. Today, we’re going to jump back into the suspense, drawing that element forward. Just to make sure I’m on the right track, I want to go back to my synopsis. It’s still my roadmap, even though I’ve been taking a few day trips… Luke wants his sister, who is a giant MacKenzie Grace fan to meet her, and the dinner out at the roadhouse seemed to go without a hitch…maybe no one will recognize her. But what Luke doesn’t know is that someone has recognized Kenzie – the reporter from the […]
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Act 2: Scene Flow..Suspense and Romance, what’s the difference?
Sceneflow: the difference between a suspense scene and a romance scene? If you read the last two weeks of posts and chapters about Limelight, you’ll notice that I took a bit more time in those chapters to develop the romance. (Read Chapter 5 & 6 Here Chapter 5 Luke Chapter 6 Kenzie) I could have split those chapters into shorter scenes/segments, but I wanted to really cement the romance between them before I launched more into the suspense. Note they were longer chapters– as the book starts to move faster, I’ll have shorter chapters, or perhaps two or three shorter scenes in a chapter. So, now that I’ve given them their first kiss, we’re about half-way through the story. (For the purposes of teaching, I’m keeping this novella at 12 chapters – […]
Read the RestPeripheral Plotting – a trick to widening your suspense plot
You need to employ some Peripheral Plotting! Peripheral Plotting is the technique of pulling in ancillary elements and using them to create more tension in your plot. Ideally, they will make your character have to tap into a more noble instinct and push them along their journey. How does Peripheral Plotting work? I’m going to veer away from Cellular and Eagle Eye for a moment – only because they are such straightforward plots, and look at Live Free or Die Hard the latest in the Bruce Willis saves the world saga. Live Free or Die Hard is a perfect example of peripheral plotting. Basically, through the Internet, the bad guys are trying to take over all the transportation, finances and utilities in the United States, and if they succeed, the […]
Read the RestHow to write a great kiss!
Yesterday we talked about Sparks and Wooing and how to weave them into Act 2. But…the best way to combine them is with a great KISS. This post is all about specifics. The Whens of The Kiss can be found at: http://www.mybooktherapy.com/index2.php/2010/10/12/the-kiss-and-the-hearbreak-ten-beats-of-a-romance-part-3/. Just to review quickly here are the three kisses in a romance (and if you are writing a romance in the General market, you can extrapolate from there. J): Kiss One: An “introductory—I didn’t mean to, did we just do that?” Kiss Kiss Two: A, “I really want to kiss you now and I’m going to” Kiss Kiss Three: And an “I love you, and I mean it” Kiss But let’s touch on the hows. A kiss should be savored. […]
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