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When Is It Time To Have A Craft Partner Review Your Manuscript?

By on January 22, 2014 in Alena Tauriainen, Beth Vogt, Brainstorming Strategies and Tips, Edie Melson, Editing Basics, Next Step on the Writing Journey

I’m so thankful for friends like Beth Vogt and Edie Melson who took the time to answer my “newbie writer” questions on craft/critique partners.

Here’s the first question for this segment.

(AAT) Now we’ve got this fast draft and we have a craft partner. We have an established relationship with a craft partner. When is a good time for someone to look at your work-in-progress?

(BKV) When I fast draft I usually like to set it aside for a couple of weeks. I’m usually worn out and it’s good to give distance for a couple of weeks. Then when I get together with my craft partner, I usually let them know what I’m looking for.

As far as I’m concerned there’s two ways to critique a book.

You can be looking for big picture edits. You just want to know; Is this scene working or are you feeling the emotions? Or you can be looking at fine-line edits, where you are really trying to polish a scene. You have to let your critique partner know what you are looking for. There have been times where I’ve gone into a critique group and said, “Your welcome to read this scene. I want you to know I’ve had a rough week, and I really don’t want feedback from you all.” I have been that honest with them, because I couldn’t even handle them telling me a word was misspelled. It was just that bad of a week. I think that in a really good critique group you can be that honest with them. They’ve gone ahead and read it and said, “Loved every word of it Beth.” They just left me alone for that week.

(EM) I like to be able to brainstorm before I start a book and get things laid out. I generally have an idea and it sparks my creativity to do that. When I’m in a midst of a first draft, its not a time I want craft partners chiming in. I have to have a big picture of the whole book before I start listening to other people’s suggestion, even good suggestions. I need to get my arms around it first. I do what Beth does and let it sit for a couple of weeks before I go back in. Yes, there have been times where I’ve said. “Look guys, if you can’t say something nice don’t anything at all.

(AAT) Do you think you should have two partners, one person to help brainstorm your plot and someone else to help with critiquing? What does your process look like?

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The Who of Mentoring: 5 Characteristics of a Good Mentor

By on January 7, 2014 in 4. Writer’s Life, Inspiration and Life Coaching, Beth Vogt, Encourage Me!, Writer's life, Writing Life Coaching

You say you want a mentor. Fine. But have you stopped to think about who you’re looking for? Beyond the obvious “I want another writer to mentor me in writing” – have you considered what characteristics make a quality mentor?

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The What and Why of Writing: Theme

By on August 14, 2013 in Beth Vogt

There are so many vital elements that go into crafting a can’t-put-it-down manuscript: engaging characters, a vivid Storyworld, a strong spiritual thread and knowing what’s at stake in your story. But so often, as we craft these aspects of our story, we overlook a fundamental aspect of our novel – and then we have to back up and figure out something we should have known from the beginning. What: Theme We often shut down when we hear the word “theme” because we recall high school English class and the dreaded “What’s the theme of the book?” question. Theme is the overall idea of a book – what the book is about. As you read, theme is what you’re going to discover about yourself, others and God – and it’s usually […]

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The What and Why of Writing: Noble Cause

By on April 24, 2013 in Beth Vogt, Protagonists: The Basics

Every story starts with an Inciting Incident catapulting the hero and heroine into a journey. They’re either scrambling to get their lives back to normal or hoping to settle into their new life after some amazing “I never knew this could happen to me” experience. Each scene you write is either an Action or re-Action scene. Your characters are doing something or responding to what happened. But the challenge is to write more than just he-said-she-said or he-did-she-did scenes. You want to layer in emotional depth – and one way to do that is to know your character’s Noble Cause. What: The Noble Cause answers the question why? It’s the motivation that moves your character from chapter 1 to “The End.” Think of your protagonist saying something like this: BeCAUSE […]

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