Susan May Warren

About Susan May Warren

Former Russian Missionary Susan May Warren is the best-selling author of more than 40 novels and novellas with Tyndale, Barbour and Steeple Hill, and Summerside. A Christy award and RITA winner, and multiple finalist for the RITA, Christy and winner of Inspirational Readers Choice contest, Susan currently has over a million books in print. A seasoned women’s events speaker and writing teacher, she is the founder of http://www.mybooktherapy.com an online community for writers, and runs a fiction editing service teaching writers how to tell a great story. Visit her online at: http://www.susanmaywarren.com.

Author Archive | Susan May Warren

Rachel Hauck, Susan May Warren, My Book Therapy

NaNoWriMo Success Tip: How to balance your time!

By on November 11, 2013 in 4. Writer’s Life, Inspiration and Life Coaching, 7. Search by Author:, Susan May Warren, Writer's life

Listen, I know you’re all swamped with working, running a household and writing NaNo. You probably don’t even have time to read this blog. But in the chance you do, I thought I’d give you a few tips that help me juggle my life as MBT Head Coach, being a sports mom and writing.

Establish a set time every day, or every other day to write and keep this time sacred. Block it out on your calendar. If you only write “when you can,” then there will always be things that will get in the way…from walking the dog to making chocolate chip cookies… Set a time, and keep that appointment with yourself, telling yourself you are investing in your dreams.
Keep a writing Journal and every day log what you have done, and your goals for the next day. You will access different sides of your brain as you are writing than you do when you are working, and instead of always keeping both sides active, if you write down where you were and where you want to go each day, you can let your creative side “rest” while you are at work, knowing you can pick right back up when you return to your writing enclave.

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Show, Don’t Tell

By on November 4, 2013 in Author Mistakes, How to WordPaint, Susan May Warren

I hope you’re busy writing your amazing works of NaNoWriMo fiction!

I thought, as we dive in, it might help to understand what editors mean by “Show, Don’t Tell.” Listen, I know it can be confusing. Especially since there is not only mis-information and bad teaching out there, but also because there IS a time Tell!

Showing, not Telling is not about describing everything that happens. And Telling has nothing to do with narrative and backstory. Narrative and backstory (and even action) get a bad rap because often, during narrative, backstory and action, authors drop into “telling” without realizing it. Describing ACTION by saying “John shot Bill.” is not telling. It’s action. But adding: “John felt sorry when he shot Bill,” would be telling.

See, I know. Confusing.

Here’s the bottom line: Showing is about helping the reader experience the emotions of the character. Showing brings us into the mind and heart of the character to understand their emotional journey.

Here’s how: If you say, ‘She felt grief,’ or even, and this is more common, ‘Grief overtook her’ you are not just telling us what emotion she’s feeling, but you’re pinpointing one emotion your reader must feel with the character. Instead, show us how despair makes her feel through how she acts, what she thinks, what she says and how she sees her world. Let us into your character’s head.

Telling is when you tell someone how to feel. It relates to the emotion to the story, not the narrative, backstory and action.

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Susie May on Deep POV!

By on October 28, 2013 in b. Building a Scene, How do I write the Character Change Journey?, What POV do I write in?

Are you getting ready to write NaNoWriMo and wondering just what POV or voice to write it in? Try Deep POV! I love how Deep POV gets a reader into the skin of the characters and helps them feel the story.

Here’s how it works:

Have you ever watched the television show Fear Factor? It’s a show where people are challenged to do “scary” things like eat a live spider or bungee jump, for charity. It’s supposed to elicit people’s deepest fears and make them overcome them. I watch it and think, “Never. Not even for charity.” However, do I feel my throat closing, that panic clenching my gut, my legs telling me to run? No. I just think – wow, they are idiots.

Consider, however, Alfred Hitchcock’s Psycho. We watch with our hands over our eyes, our heart in our throats, experiencing true fear.

This is the difference between Standard 3rd person POV and Deep 3rd person POV. One watches from a distance, the other engages us in the fear.

Why write Deep POV?

A great book is made up of the emotional highs and lows of the POV characters. We want to feel what the character feels, ride their journey with them and possibly learn with them. A great story makes us ache with the character, and eventually, engage with their choices, their struggles with values and their epiphany. Think about this – what is going to glue your reader to the page more – grappling with the black moment/life-changing decisions with the character, or to view it from a distance? Deep POV is illuminating, empowering, it helps us understand the point of the story.

Think of the difference between Deep POV and Standard Third Person as the difference between watching the action from the outside, as if walking beside the character (Fear Factor) and being inside the body and mind of the character. (Psycho)

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Feature Fiction Friday Presents: Jill Williamson

By on October 25, 2013 in Featured Book, Featured Fiction, Featured Fiction Fridays

This year’s Frasier Contest has come to a close. Congratulations to the Semi-Finalists, and our Grand Winner! In order to have the Frasier each year, we introduce the Judges on our blog. Its our way of giving back a little bit to the published authors who help us help YOU! So lets meet one of the Judges that made it all possible: Jill Williamson, with her new book The Safe Lands: Captives!

Q: Jill, will you tell us a little bit about your story?

A: When eighteen-year-old Levi returned from Denver City with his latest scavenged finds, he never imagined he’d find his village of Glenrock decimated, loved ones killed, and many—including his fiancee, Jem—taken captive. Now alone, Levi is determined to rescue what remains of his people, even if it means entering the Safe Lands, a walled city that seems anything but safe. Omar knows he betrayed his brother by sending him away, but helping the enforcers was necessary. Living off the land and clinging to an outdated religion holds his village back. The Safe Lands has protected people since the plague decimated the world generations ago … and its rulers have promised power and wealth beyond Omar’s dreams. Meanwhile, their brother Mason has been granted a position inside the Safe Lands, and may be able to use his captivity to save not only the people of his village, but also possibly find a cure for the virus that threatens everyone within the Safe Lands’ walls. Will Mason uncover the truth hidden behind the Safe Lands’ facade before it’s too late?

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