I admit it, I’m a Shia LaBeouf fan. I fell for him in Disturbia, then Transformers, then Indy and the Kingdom of the Crystal Skull, and so I couldn’t wait to see him in Eagle Eye. Besides, the movie just looked great, with high action and an edge-of-your-seat premise. What if you had no control over your life? What would you do? I wasn’t disappointed. Eagle Eye had me on the edge of my seat the entire two hours, some of the time with my hands pressed up against my face (in fact, I think I even made red handprints). Non-stop action, great motivations, incredible conflict…a movie that took my breath away. Sometimes, in thrillers, let just say, uh….any of the Die Hard movies…we have a hero who is […]
Read the RestArchive | November, 2008
What makes a great black moment?
So, we’re almost to the end of our Heroes’ Journey! We’ve had our character change (and we touched on the Black moment in that discussion) and we’re off to storm the castle in our last battle. He’s been changed by events, and is a new man, and is trying to apply everything he learned…. But, before we get too far ahead of ourselves, let’s go back to that Black moment and just touch on the elements that make it profound. 1. Attack their Greatest Fears – emotionally and physically. Since the beginning of the story, you know what your hero fears the most…and you’ve been slowly pushing him to this place. You know that Frodo fears succumbing to the ring, or worse, his own hobbitness. You know […]
Read the RestWriting a A Not So High Action Scene
So yesterday, we went through a high action scene, working through the details that went beyond structure to words and cadence. “But, Susie, I don’t write a thriller!” you say. Not a problem. You can still write a riveting scene using the basic princicples I laid out yesterday…. First, we: Start with Setting and the Current State of Affairs Then we establish the Goals of the scene And we won’t forget to fortify the Motivations of your characters action/decisions Finally we can write the Action of the scene. And we’re going to pay special mind to the sentence structure and words we use to create mood. This excerpt is from Finding Stefanie – it’s a subplot character named Gideon who wakes up in Stefanie’s house after […]
Read the RestWriting (High Action) Scenes
So, the last few weeks we’ve been talking about Character change – bringing him through the various steps, until he’s finally on his knees, (black moment) realizes what he needs to sacrifice to change, (epiphany) accepts the truth, and then emerges a new man to test his resolve and fight his final battle. Awesome. Lot’s of great theory and structure there. Now, let’s get specific with scene building for a bit here. We’ve already covered Scenes and Sequels (go to the articles section to read more) as well as action objectives. We’ve also talked about sizzling dialogue, paring your backstory to a minimum, and using strong sensory words to create mood. So let’s talk about how you put those elements together. It’s about beat, and drawing the reader […]
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