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Rachel Hauck, Princess Ever After

7 Ways To Wreck Your Career

By on August 28, 2014 in Book Therapist, Rachel Hauck

Unusual title, isn’t it? Choosing the negative instead of the positive.

But sometimes we have to hear the “what not” in order to grasp the “how to” in our writing journey.

We all make mistakes as we develop our careers, whether we intend to be full time or not. Mistakes are good. We learn from them.

But some can be costly.

Here are seven actions I think you should strive to avoid.

1. Genre hopping. Or, not deciding on a specific path. Over times, readers come to expect a certain kind of book from their favorite authors. I may be tired of a “Rachel Hauck” book, but my readers are not.

When starting out most of us would write for anything or anyone, and that’s a great way to get started, boost your publishing resume, but be careful you don’t spread yourself too thin.

I was blessed to have an agent in the beginning who kept me steered toward trade romance and chick lit I also believe the Lord really watched over my steps. Several opportunities I wanted to leap at but the doors closed. Or I felt uneasy about and didn’t pursue.

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When Is It Time To Have A Craft Partner Review Your Manuscript?

By on January 22, 2014 in Alena Tauriainen, Beth Vogt, Brainstorming Strategies and Tips, Edie Melson, Editing Basics, Next Step on the Writing Journey

I’m so thankful for friends like Beth Vogt and Edie Melson who took the time to answer my “newbie writer” questions on craft/critique partners.

Here’s the first question for this segment.

(AAT) Now we’ve got this fast draft and we have a craft partner. We have an established relationship with a craft partner. When is a good time for someone to look at your work-in-progress?

(BKV) When I fast draft I usually like to set it aside for a couple of weeks. I’m usually worn out and it’s good to give distance for a couple of weeks. Then when I get together with my craft partner, I usually let them know what I’m looking for.

As far as I’m concerned there’s two ways to critique a book.

You can be looking for big picture edits. You just want to know; Is this scene working or are you feeling the emotions? Or you can be looking at fine-line edits, where you are really trying to polish a scene. You have to let your critique partner know what you are looking for. There have been times where I’ve gone into a critique group and said, “Your welcome to read this scene. I want you to know I’ve had a rough week, and I really don’t want feedback from you all.” I have been that honest with them, because I couldn’t even handle them telling me a word was misspelled. It was just that bad of a week. I think that in a really good critique group you can be that honest with them. They’ve gone ahead and read it and said, “Loved every word of it Beth.” They just left me alone for that week.

(EM) I like to be able to brainstorm before I start a book and get things laid out. I generally have an idea and it sparks my creativity to do that. When I’m in a midst of a first draft, its not a time I want craft partners chiming in. I have to have a big picture of the whole book before I start listening to other people’s suggestion, even good suggestions. I need to get my arms around it first. I do what Beth does and let it sit for a couple of weeks before I go back in. Yes, there have been times where I’ve said. “Look guys, if you can’t say something nice don’t anything at all.

(AAT) Do you think you should have two partners, one person to help brainstorm your plot and someone else to help with critiquing? What does your process look like?

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The I’s have it. But should they?

By on February 16, 2012 in Editing Basics, How to WordPaint, Loosen Up!, Nurturing Creativity, Rachel Hauck, Story Crafting, Writing, Writing Life, Writing Life Coaching

Ever listen to a conversation where “I” was the predominate word? I did this, I did that, I went here, I went there… I, I, I, I. After awhile, the picture is etched that the person talking is really into themselves. The same idea applies to writing in first person. As the writer and storyteller, it’s easy for us to get going in the first person narrative and forget to not let the “I’s” have it. When I started working with editor Ami McConnell, she warned me. “Watch the overuse of I.” “Hnnm, in first person?” I thought, but answered, “Okay, I’ll do that, very good idea.” Yes, it’s way easier said than done. It takes time, rethinking and rewriting to avoid the over use of I, or starting every […]

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How to Craft the First Chapter in a Suspense

By on September 12, 2011 in How to write a Suspense, Suspense, Writing your Suspense Chapters

Summer’s Over.  I know because, well, the kids went back to school last week. And we had our first conference football game (which we won!) And the Minnesota Vikings lost yesterday.   *sigh* But most importantly, the August blogging hiatus at MBT is over, and it’s time to start working on our suspense WIPS again! We spent the first seven months of this year studying Suspense, the four components that go into powerful suspense structure, and what each component contains.  We talked about the elements of the ignition, the deadline, and crafting villains and heroes who can save the world. Now it’s time to put it all together! Writing a novel is a two part process – the creating of characters, the gathering of the elements and the plotting of the […]

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