I’ve been privileged to work with some wonderful editors in the CBA. For the past four years, I’ve been under the tutelage of Thomas Nelson’s Senior Acquisitions Editor, Ami McConnell. She’s such a gift to me as a writer and story teller, helping me hone my skill and art, but by being my champion. When I sold my first 2 books to TNI, the ACFW Conference was in Nashville that year, home of country music and Thomas Nelson. The conference hotel was right across from the fiction (then West Bow) offices! Ami had just given birth to her third child, a beautiful girl. Even though she was on maternity leave, she took time to meet with me, picking me up from the hotel, driving me to coffee, and spending a […]
Read the RestTag Archives | fiction
What I learned in ’08
As writers, we should never stop learning the craft. The more we write, the more we learn. I’m very fortunate to work with a brilliant editor who sees the art beneath all my mistakes and gently guides me in the right direction. Haven recently rewritten a book with my editors guidance, here are three things I’ve added to my arsenal. Dialog. Yes, of course, I’ve always used dialog. I consider it one of the most important factors of fiction writing, but dialog must count. In 2008, I honed the idea that dialog creates momentum, moves the story forward. Don’t slow it down with paragraphs of description or internal thought. Keep action tags and speaker attributes behind the dialog as much as possible. Of course, the “rule” can be bent, but […]
Read the RestThe Bomb in the Body: a lesson on Subplots
Okay, raise your hand out there if you watch ER or Grey’s Anatomy. It’s okay, no one can see you. And, not like I’m raising MY hand or anything, but hypothetically, let’s just say that if you are familiar with these particular medical (and I’m using that term a bit freely) dramas, then you know that they are really big long soap operas. Greys is, essentially, the on again, off again, hopefully on again (not that I would know) romance of Dr. Derrick McDreamy and Dr. Meredith Grey. Inside all this romance are the daily (read: episodic) events of a hospital in Seattle. What makes Grey’s kinda cute are the running monologues of the lead heroine, the thematic nuances she puts into the story, usually centered around the events of […]
Read the RestTricks or Treats
So you’ve figured out your BIG EVENT, and made it believeable and compelling and immediate and threatening. But to really create a great suspense, you new a few TRICKS! Here’s the first one: Grab ‘em with a HOOK from the first line. The suspense Hook is essential for a great story. Your hook should, set the tone, start with your hero/heroine in action, hint at the stakes and raise a story question. However, there is one key that every suspense hook needs to have: Intrigue. Why? How? What? It needs to raise one of these questions right at the beginning. Here are some of my hooks: The past had picked the worst time to find her. (What?) from Flee the Night Out of all FSB Agent Yanna Andrevka’s bright ideas, masquerading […]
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