In his book, Outliers, Malcolm Gladwell examines the why and how behind successful men, women, cultures, musicians and athletes. In many cases he attributes the “10,000-Hour Rule”, as the key to success in any field is because, to a large extent, it is a matter of practicing a specific task for a total of around 10,000 hours. As an author, I first thought, “Impossible!” I mean, 10,000 hours? Of writing? Before getting publishes? Most of people have day-jobs, you know? Gladwell uses Canadian hockey players as an example, describing a player’s rise from the junior leagues all the way to professional. He found that most, not all, NHL players were born in the first 3 months of a calendar year. Due to age cut offs to sign up for the […]
Read the RestTag Archives | fiction
The Grunt and the Grind
You’ll never hear us say writing is easy around the My Book Therapy campus. No siree, Bob. Writing is hard. It’s work. Here’s what gets me. I have a great idea, I see it all—beginning, middle and end, then I sit down to write and my inspiration vanishes. The story feels too slow. Too muddy. Too awkward. The things I thought the protagonist wanted now don’t work. Or seem trite. I can’t find the layers. Everyone sounds like Gumby and Pokey. After sixteen books, the pit of despair in the middle of my stomach isn’t as deep, isn’t as fierce. But still, about 30K into a book with a deadline looming, I’m wondering how this book is going to pull together. In the end, they always do. Yay, God. I […]
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Using Dialog and Prose to Create the Setting
Last night I sat in a small circle of writers disguising themselves as readers. As we discussed the book of the month, one of the reader-writers said, “The dialog and language really drew me in. It was part of the setting, really.” That hooked me right there. Not to read the book because, well, I wrote the book, but as a blog topic! Using Dialog and Prose to Create the Setting. I never thought of it before but word choice, dialog, the arrangement of words can really help put the reader in the mind set of the PLACE the story is being told. The era. The region. The social class. Education. Even values and belief systems. We’ve all heard word choice is key to the author’s voice. We’ve also learned […]
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Don’t Forget the Details
I’m hacking my way through a first draft. I get frustrated with the first round of writing. Everything sounds corny, the same-ole-same-ole, and I either under write or over write. The scenes usually skim the surface of what’s really going on. I write things like, “she walked through a crowd of her friends, greeting them, air kissing their cheeks.” It’s because I don’t really know what’s going on yet. I don’t know how much detail I need in the scene. Sometimes it’s perfectly valid and needed to skim past a detail of friend’s names. Sometimes we don’t need the color of every dress, the table cloths and velvet curtains. But yea, sometimes we do. Most of the time we do. Susie was reading to me from the Pioneer Woman’s book […]
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