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Conversations with an Aspiring Novelist: What is voice and how to you find yours?

By on January 23, 2012 in The Hero's Journey Simplified, Truth or Dare: Conversations with an aspiring novelist, Voice

Outside, the wind howled, the thermometer dropping to a bracing negative nine degrees as I waited for Sally to arrive for our Monday Morning conversation. I had hoped she’d found a story question as she thought about the themes of her story. Ironically, I’d been thinking about marketing my new book, and had to return to the storyquestion of that book to create the right marketing and PR campaign. I blew on my hot cocoa, glad I’d opted for a large as Sally came in, wrapped in a scarf and hat, the icy blast dragging in behind her. Anne already had her coffee ready. Sally set a stack of books on the table as she retrieved her coffee. I looked at her choices – Jane Eyre, the movies Pearl Harbor […]

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The Noble Quest Up Close and Personal

By on January 19, 2012 in Protagonists: The Basics, Rachel Hauck, Story Crafting, The Hero's Journey Simplified, What is the Noble Cause?

We’ve been talking Character creation a bit here on MBT, in the Team Member Forum, as well as on the site, and while talking with my Mentee the other day, we were trying to flesh out her heroine’s Noble Quest. What does she want? What is this story about? What journey does she embark upon? This is an essential part of the Hero/Heroine’s journey that is key to the story. My mentee’s first response was, “Well, she wants to start a clinic for children.” Great goal. Very noble. But that’s not the heroines real Noble Quest. The clinic, if she accomplishes her dream, is the end result of the Noble Quest. It is her specific, measurable and realistic goal. (and if you can add a time-sensitive element to it, it […]

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Ten Common Author Mistakes. #9

By on October 13, 2011 in Author Mistakes, Editing Basics, Hero, Heroine, Heroism, The Hero's Journey Simplified

Forgetting to weave in the story elements and symbolism. Definition: If you want to use a metaphor, like a world event or a family trait or tradition to show a contrast in the hero or heroine’s life, you must layer it in.   If the heroine’s life if falling a part, coming down around her like 9-11, don’t tell the reader, “her life was just like the twin towers…coming down around her.”   Weave it.   The scene opens. It’s 9-11, the heroine is preparing breakfast. She calls her husband down to breakfast but he doesn’t show up. When she goes to see what’s taking him so long, she finds him collapsed on the bathroom floor, dead.   As she’s calling 911, her best friend buzzes in. The twin towers […]

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The Inner Journey of your Suspense character

By on June 27, 2011 in Lie journey, Suspense, The Hero's Journey Simplified

We’re discussing ACT 3 of a Suspense! Last week we broke apart the Black Moment.  This week and next, we’re going to talk about the second part of the Black Moment…the inner journey element. The purpose of every story is the inner change of the POV characters.  The external events are simply a catalyst to drive home the changes the characters need to make. At MBT, we call this the Lie Journey. As an overview, the premise of the Lie Journey is that every character has a lie they believe, based on something that happened in their past.  This lie has determined their behavior and choices until the start of their journey. However, this journey is about breaking that lie and helping your character become a better person, or at […]

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