I just finished a rewrite of Once Upon A Prince, releasing April 2013 from Zondervan. Covered nearly 87K words in two weeks. Not my favorite thing to do – tackle a rewrite in two weeks but that’s how it worked out. The opening needed a big change in my mind as well as my editor’s. Openings are my weakest. I tend to tell too much story. Not back story per say, just too much “pipe” as we say at My Book Therapy. I build too much story world. So I needed to tackle the opening and when I do that, I tend to ripe to shreds and start over. I probably rewrote the opening five times. Here’s the danger in doing that: forgetting other correlating threads in the story. I […]
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Don’t Forget the Details
I’m hacking my way through a first draft. I get frustrated with the first round of writing. Everything sounds corny, the same-ole-same-ole, and I either under write or over write. The scenes usually skim the surface of what’s really going on. I write things like, “she walked through a crowd of her friends, greeting them, air kissing their cheeks.” It’s because I don’t really know what’s going on yet. I don’t know how much detail I need in the scene. Sometimes it’s perfectly valid and needed to skim past a detail of friend’s names. Sometimes we don’t need the color of every dress, the table cloths and velvet curtains. But yea, sometimes we do. Most of the time we do. Susie was reading to me from the Pioneer Woman’s book […]
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“PUT CHARACTERS IN OPPOSITE SITUATIONS.”
Continuing from my post last week on fast notes on characterization during a Donald Maass session. These are an eclectic gathering designed to make you think differently. Have fun! “These are the moments the characters become larger than his or her own life. Break out of box, out of character, do the unexpected. The are the moments we remember.” “A “wink” can be the most unexpected thing a character can do.” But it must be out of character. “Take your characters to places they would never go.” Eventually they have to become who they really are – reverse or repent of what they’ve done. Stop thinking about redeeming our characters. Can’t always be thinking of redeeming them. Redeem them from what? Take your characters to the bad/dark/confused place, wrong place, […]
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Let Your Characters Tell the Story
A few years ago Susie and I were writing books with very high concept premises. Or is it premii? She was writing RITA finalist My Foolish Heart. I was writing Dining with Joy. The former was about a radio host for the lovelorn who’d never been on a date. The latter about a cooking show host who couldn’t cook. Great ideas. Great pitch lines. Easy to see and understand. But when we were writing, the premise itself became paralyzing. We dubbed those books the ones with the paralyzing premise. High concept is great. Almost necessary in today’s publishing world. But writing them can be a challenge because you’ll always wonder, “Am I capturing the premise well?” In Dining with Joy, not only did I have to explain how and why […]
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