“I’m angry with you!” Sally said as she sat down. She was smiling, so I frowned. “You let me write the first chapter before I was ready.” “Oh, that,” I said. “Yes, I did, knowing you weren’t quite ready. But I knew you had so much story in you that if you didn’t get started you’d only get frustrated. I know why you weren’t ready, but you tell me.” “I didn’t really know what my character wanted, nor how to hint at his greatest fear in the first chapter, so I created exactly the wrong scene.” “You created the scene that helped you jump start your story. You were doing a lot of “Wax On, Wax Off” and getting ansty. So, I told you to simply let your character walk […]
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About Susan May Warren
Former Russian Missionary Susan May Warren is the best-selling author of more than 40 novels and novellas with Tyndale, Barbour and Steeple Hill, and Summerside. A Christy award and RITA winner, and multiple finalist for the RITA, Christy and winner of Inspirational Readers Choice contest, Susan currently has over a million books in print. A seasoned women’s events speaker and writing teacher, she is the founder of http://www.mybooktherapy.com an online community for writers, and runs a fiction editing service teaching writers how to tell a great story. Visit her online at: http://www.susanmaywarren.com.Author Archive | Susan May Warren
Quick Skills: Ways to get your Story Summary onto the page
I know that people panic about writing a synopsis. The fact is, there are many different synopsis styles and deliveries. There is no one right way – but there are few principles. Let’s start with Delivery: You can write the synopsis a couple different ways. First, you can tell it is if you are the narrator – telling yourself the story. e.g. This story is about Maggie, a former Red Cross nurse who lives in World War 2 New York City. More than anything she wants to get over the grief of losing her fiancé during the attack on Pearl Harbor, but her life seemed to stop the day she got the news and she doesn’t know how to start it again. Until, one day, she runs – literally – […]
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Conversations: Writing the Synopsis
“I’m stuck.” Sally said as I hung my purse on the chair and shucked off my jacket. Outside, the last remnants of a late-season snow clung to the ground. I’d had to dig out my Uggs for a trip to town for our weekly chat. “Good,” I said. “What do you mean, good? I thought you were rooting for me!” “I am. But let me guess – you’re in chapter six or seven and the thrill of the first act has worn off, and now you’re slogging through the middle, wondering what to do next.” She narrowed her eyes at me. “How do you know that?” “I’ve written thirty-five books. I know what happens around chapter seven.” I smiled at her and sipped my coffee. A raspberry white chocolate indulgence. […]
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Quick Skills: The Final Battle Breakdown and Flow Chart!
How do you create a triumphant ending? We touched on the why yesterday in “conversations” but today I wanted to put tools to the theory. Just as a reminder: the point of the Final Battle is to convince the reader (and the character) that true character change has taken place by putting it to the test. You are waging an “internal battle” using external elements. I like to use the movie The Patriot because it is an actual battle, but it also clearly illustrates the internal/external final battle of a story. The idea is: armed with the TRUTH, which has caused their epiphany, your character will face their last challenge, that thing they couldn’t do at the beginning of the story that they can no do (or are willing to face) […]
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