Monday, we answered Julie’s question about secondary characters – how many is too many? How to keep them from being boring or flat? I’ve been thinking about this issue today and wondering how we can get creative with secondary characters. Think of a painting. Many times the artist will outline images with black in order to make them stand out. Sometimes, an artist covers an canvas in blue or orange before beginning to paint. These are accents that help the over all painting though the eye of the observer many never really notice. On the television show, Samatha Who, Samatha has two friends. One acts as Samatha’s good conscious, Dina. The other, her devilish side. Angela. The premise of the show is Samatha has lost her memory. She can’t remember […]
Read the RestArchive | Uncategorized RSS feed for this section
Ask The Doc: How to handle secondary characters
Julie writes: My biggest problem right now is how to handle secondary characters. How many are too many? How do I keep them from taking over or stealing the scene? How do I keep the reader from being confused by them or, even worse, bored by them! Mine always seem to go overboard, and I have to spend too much time editing them back to size. Great question. I ran into a similar problem while writing Diva NashVegas. In my effort to create a large, super star world, I created too many extras for my set. So, I paired it down to those who were essential: assistant, manager, house manager and a few others as the scene allowed. This in addition to her love interests. Here are some guidelines to […]
Read the RestThanksgiving Prescription
I woke up this morning to a memory. Twenty years ago, I met my husband’s family for the first time. They’re an…exuberant bunch. Loud, with lots of love to go around. Right now, there are about eight of them sitting around the kitchen table, playing Challenge Suduko. We have a total of about 40 immediate family milling around the house. I’m hiding in the bedroom…much like I did twenty years ago. It’s sensory overload. Love overload. *grin*. But I’m glad to be here, and even more glad that I didn’t have to get up at 5am to put in the turkey! Your assignment for the day: Enjoy. Let go of your manuscript for the day and take in the senses and sounds of the holiday. If you want to…write those […]
Read the RestDoctor’s Notes: Make that Scene Pop!
What makes a great scene stand out? Is it dialogue? Action? How about setting? All those components create a great scene, but I believe the one element that makes a scene live for ever is the symbolism that evokes emotion and truth. Maybe it’s a dialogue zinger, or through a meaningful action. Or even a metaphor in the setting, but all these elements are just tools writers use to create symbolism. What am talking about? There’s a great scene in the recent Sandra Bullock movie, Premonition, where the heroine is told the fate of her husband. We don’t even hear the policeman talk, really. What we see is what Sandra sees as she is told – a woman pushing her child in a stroller, a man mowing the lawn, a […]
Read the Rest
